The Birth of Adom, Music by Tale Teller Club Funded by Future's Venture ...

Cyborg Bloom – Futuristic Floral Robot Portrait Ship of Sirens Art by iServalan
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Mr Capricious Music Video Still Art by Tale Teller Club
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Renyke Dreams of Flex Book Of Immersion Illustration

Pucker Up Trump and Putin Politica UK
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Thread Bear Autism Baby Rat by Tale Teller Kids
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Neon sci-fi vibes from The Book of Immersion
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After Titian’s by Sarnia, scribble painting mandala portrait
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An Afternoon in the Park, scribble painting by Sarnia
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Purple Rain Scribble Painting by Sarnia
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Blue Jesus by Scribble Artist illustrator Sarnia de la Mare
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Inclusion and Positivity Tale Teller Kids
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Sunflower Shining on a Sunny Day by Sarnia de la Mare
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Rat Gang Crew Neon Lights by iServalan for Tale Teller Club
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Different is Brilliant Neurodivergence Art by Sarnia for Tale Teller Kids
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The Book of Immersion Tale Teller Club in Neon Lights
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Tale Teller Kids Neurodivergence Logo Rainbow Bird In Headphones
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The Symmetry of the Lord Interior Church Photograph by Blink Friction
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Dry Stack at the Creek boat hulls along the UK coast by Blink Friction
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Boat Carcass at the Creek Beach English Coastal Landscape en plein air by Blink Friction
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Shipwreck En Plein Air English Coastal Seascape by Blink Friction
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The Bird Garden
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The She J by iServalan for Tale Teller Club
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Pink Skull and Crow with Butterfly Eye by iServalan for Tale Teller Club
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Sirens from The Immersion Book by Tale Teller Club pixel Paintings
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Rat Boy Racer Gang Crew by iServalan for Tale Teller Club
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Rat Gang Crew Books Graf Artist in His Castle by iServalan in Greyscale
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Rat Girl Racer from Rat Gang Crew and the Broken City by iServalan
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Rat Punk from Rat Gang Crew and the Broken City Tale Teller Club Books
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Amalie and the Yellow Monsters Rat Gang Crew and the Overgrounders
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Rat Gang Crew Biker Scout by iServalan for Tale Teller Kids Book
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There’s a Mouse in the House Rat Gang Crew Illustration by iServalan
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The Countess of Brighton and Hackney is Gifted Modern Art
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Ratty and Mouse from Rat Gang Crew by iServalan
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Rat Boy Racer Chase from Rat Gang Crew Books
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Rat Gang Crew Logo by Tale Teller Kids Books
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Benches in a Row Photography En Plain Air by Elderescence TV
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Bird at the Beach En Plein Air English Coastal Seascape by Blink Friction
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Rocks on the Beach by En Plein Air Elderescence TV
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Rock on the Beach by En Plein Air Elderescence TV
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Digger on at the Beach En Plein Air at Elderescence TV
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Scribble Painting no 7 by iServalan Exclusive to Tale Teller Club Records
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Scribble Painting no 6 by iServalan Exclusive to Tale Teller Club Records
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Copy of Scribble Painting no 4 by iServalan Exclusive to Tale Teller Club Records
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Scribble Painting no 3 by iServalan Exclusive to Tale Teller Club Records
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Scribble Painting no 2 by iServalan Exclusive to Tale Teller Club Records
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Scribble Painting no 1 by iServalan Exclusive to Tale Teller Club Records
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Scribble Painting no5 by iServalan Exclusive to Tale Teller Club Records
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Rat Gang Crew Logo Design by iServalan White on Black
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Rat Gang Crew Logo Design by iServalan Black on White
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Kiss Kiss Lady Love Monochrome Logo Heart Retro 1960s
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Mr Fox by Tale Teller Club
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Dragonfly by Tale Teller Club Books
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Pink Flamingo at Midnight with Twinkly Stars by Goddamn Media
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Leather Corset In White Fashion Illustration by Goddamn Media
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Leather Corset Fashion Illustration by Goddamn Media
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Fred Wears Puffballs and blows Bubbles Walking His Stag by iServalan Book s
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Happy Hippo with Crane Fly Watercolour by Tale Teller Club Books
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Me and Cat Sleeping in Winter Monochrome Art by iServalan for Tale Teller Club
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She Came Darkly With Grave Intent by iServalan
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Little Miss Muffet Monochrome Baby Spider by iServalan Alternative
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You Are My Flower Erotica Sensual Series by Goddamn Media
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Monochrome Pin Up Girl by iServalan for Tale Teller Club Music
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She Was a Soldier by iServalan Monochrome Book Art Tale Teller Club Publishing
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Cat on my Head Monochrome by iServalan for Tale Teller Club Music
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Cats n Dogs Black and Gold Leaf Art by iServalan for Tale Teller Club Music
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The Cat’s Behind Black and Gold Leaf Art by iServalan for Tale Teller Club Music
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Clever Mr Owl Kids’ Book Illustration for Tale Teller Club Publishing
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Moo Cow Happy Bull Watercolour Cute Bright Kids’ Toddle Poddle Illustration
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Rat Gang Girl Crew Poster Art for Tale Teller Club Books
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The Rat Killer Book Illustration for Tale Teller Club Books
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Watercolour painting Cat n Collar by iServalan
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Spider Watercolour Splash Art by Sarnia
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Rat Gang Boy Racer Rebel by iServalan
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Rat Gang Girl Crew with Cat and Ice Cream by iServalan
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Skull Ballet Shoes Goddamn Media Post Card Design 20011
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Rebel Biker Boy Rat Gang Rebels Book Illustration by Sarnia
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Scout from the Rat Gang Crew Book By Sarnia
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Cat Contemporary Art Pet Portrait Tabby Book Illustration iServalan Painting
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Fairy Princess Pencil Drawing by Sarnia
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Study in Pencil and. Charcoal on Paper by Sarnia
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Pride of India Elephants and Tiger Princess Illustration by Sarnia de la Mare
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Rat Gang Crew Daisy Biker Girl by iServalan Tale Teller Club Exclusive
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Gothic Desert by iServalan Tale Teller Club Exclusive Monochrome Series
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Rat Boy by iServalan for Tale Teller Club Monochrome Collection
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My Punky Boots
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The Butterfly DJ Effect by iServalan
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Duality by iServalan for Tale Teller Club
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iServalan at Tale Teller Club Logo
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Angel Eyes by iServalan
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Mimosa by iServalan for Tale Teller Club
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Brain Drain by iServalan for Immersion Books Tale Teller Club
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Little Bo Peep by iServalan for Tale Teller Club
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Anime Birds by iServalan for Tale Teller Club Book of Immersion
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The Future of Fusion, Where Multi Media Performance Art Can Go (Part 4)

Blog 4: The Future of Fusion

Series Introduction

This is part of my ongoing series exploring a new experimental art form that fuses music, dance, and 360° landscapes. Drawing on my training with the Rambert Dance Company and my background in music composition, I’m investigating how different disciplines can interweave into what I call fusion practice.

Over four blogs, I’ll share not only the artistic vision but also the practical challenges, questions of accessibility, and possibilities for the future. Each part stands alone, but together they trace the first chapter of a journey into immersive, inclusive art.

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📌 Part 1: Entering the World of 360 Art
📌 Part 2: When 2D Dance Meets 360° Landscapes
📌 Part 3: Making 360 Art Accessible
📌 Part 4: The Future of Fusion

When I began this journey into 360° art, my focus was simple: bring together music, dance, and landscape in a way that feels alive. Along the way, I’ve discovered that the real subject is bigger — it’s about how art adapts, how limitations spark invention, and how audiences can shape their own experiences.

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The Fusion at the Core

In my practice, music, dance, and landscapes aren’t separate strands. They are threads of one tapestry:

• Music provides the structure and the emotional tone.

• Dance embodies rhythm and expression, turning sound into gesture.

• 360° Landscapes offer immersion, a stage without edges.

• Audience brings agency: choosing where to look, how to listen, and when to move inside the work.

Together, they create something I’ve begun to call fusion practice. Not just multidisciplinary, but truly interwoven.

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Technology as a Partner

Right now, technology gives us both opportunities and constraints:

• Dance remains 2D on screen, even when placed in a 360° world.

• Music can be spatialised, but rarely matches the nuance of a live performance.

• Audiences can look around, but not yet step inside with full presence.

And yet, these limitations are inspiring. Each barrier becomes a prompt for invention. I find myself asking: What can I do with the tools I have now? That is the artist’s eternal question.

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Imagining the Next Steps

Looking forward, I see several possibilities for how this fusion might grow:

🌐 Volumetric dance — one day, dancers could be captured as three-dimensional forms and placed directly into 360° spaces.

🔊 Interactive soundscapes — music that changes as the audience moves, creating unique compositions for each journey.

👥 Shared immersion — groups experiencing 360° art together, whether in a VR gallery, a museum, or a live hybrid performance.

🎭 Hybrid stages — combining projection, headset, and screen so dance, landscape, and audience exist across multiple realities at once.

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Why It Matters

For me, this isn’t about chasing technology for its own sake. It’s about keeping art alive, adapting to new canvases. The same discipline that drives a ballet class or a cello étude is the discipline that drives experimentation with immersive media.

Art has always been about the dialogue between form and possibility. Today, the forms are shifting — from canvas to headset, from stage to landscape, from audience to participant. And the possibilities are only beginning to unfold.

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Closing the First Chapter

This four-part series has been my attempt to open that dialogue with you. To show that 360° art doesn’t have to be intimidating or exclusive, but can be as approachable as a dance step, a piece of music, or a walk through a landscape.

The future of fusion is not just in the technology. It is in the way we choose to connect — as artists, as audiences, as collaborators.

And this is only the beginning.

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👉 This is Part 4 of my experimental art journey in 360. Read Part 1 https://www.iservalan.com/2025/08/dancing-with-landscapes-my-first-steps.html, Part 2 https://www.iservalan.com/2025/08/when-2d-dance-meets-360-landscapes-part.html, and Part 3 https://www.iservalan.com/2025/08/making-360-art-accessible-for-all-and.html. Thank you for walking with me through these first steps into a new kind of art form.

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Making 360 Art Accessible for all and using tech in multi media experiences (Part 3)

Blog 3: Making 360 Art Accessible

When people hear about 360° video, they often imagine high-end VR headsets and gaming setups. That can feel intimidating, as though immersive art is only for those with the latest technology. But accessibility is at the heart of my practice. I want this work to be open to anyone — whether you’re a dancer with a phone, a listener with headphones, or a curious viewer with nothing more than a laptop.

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Beyond the Headset

Yes, VR headsets are incredible. They give you the sensation of standing inside a landscape, of turning your head and stepping into another world. But they’re not the only way:

📱 On your phone — YouTube and other platforms let you swipe and drag across 360° videos with a fingertip. Tilt your phone, and the view tilts with you.

💻 On a laptop or desktop — You can click and drag to explore, like holding a digital camera that looks around.

📺 On a flat 2D screen — Even without interactivity, 360° content can be framed in traditional video form, so you still experience the art, if not the full immersion.

The point is: no one is excluded.

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Layering the Experience

My dance sequences are filmed in 2D, which means they can be enjoyed on any screen. The 360° landscapes provide another layer — immersive for those who want to step inside, but not required.

Think of it like music: you can listen to a symphony on a concert stage, or you can play it on your headphones while walking to work. The music doesn’t lose its power — it simply adapts to the context.

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Why Accessibility Matters

Art should not be a gated garden. In dance, music, and immersive landscapes, accessibility isn’t just about devices — it’s about philosophy. It’s about keeping doors open, not closed.

By designing my practice for multiple platforms, I’m not diluting the work. I’m enriching it, creating multiple ways in. Each audience member chooses their own level of immersion:

• The full headset experience.

• The interactive phone or desktop version.

• The traditional 2D dance films.

All of them valid. All of them part of the art.

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What’s Next?

In my final post of this series, I’ll look ahead to the future of experimental fusion: how dance, music, and 360° landscapes might evolve as technology changes, and how limitations today could spark whole new art forms tomorrow.

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👉 This is Part 3 of my experimental art journey in 360. Read Part 1 https://www.iservalan.com/2025/08/dancing-with-landscapes-my-first-steps.html and Part 2 https://www.iservalan.com/2025/08/when-2d-dance-meets-360-landscapes-part.html. Stay tuned for Part 4: The Future of Fusion. https://www.iservalan.com/2025/08/the-future-of-fusion-where-multi-media.html

When 2D Dance Meets 360° Landscapes (Part 2)

Dance, Music, Visual, and Sound Fusion, Blog 2: When 2D Dance Meets 360° Landscapes

In my last post, I introduced my experimental journey into 360 art — a fusion of music, immersive landscapes, and dance. Today I want to dig into one of the key creative questions:

👉 How can a 2D dance performance live inside a 360° world?

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The Challenge of Two Dimensions in a Spherical World

When we watch a dance on stage or on film, we are used to a framed experience. The proscenium arch, the cinema screen, or even a YouTube window all tell us: this is the space of performance.

But in 360, there is no frame. The audience is surrounded, free to look wherever they like. This raises an intriguing puzzle:

• How do you present choreography that relies on focus and direction inside an environment where attention can wander?

• How do you place a 2D filmed dancer inside a 360° world without breaking the illusion?

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Creative Possibilities

Rather than seeing this as a problem, I’ve started to view it as a new stagecraft. Some possibilities include:

🎥 Overlay projection — placing a 2D dancer as if they are projected inside the spherical environment, much like a ghostly figure on a landscape.

📱 Dual-screen experience — one screen immerses you in the 360° environment, while another device shows the dance in 2D. You experience both simultaneously, almost like holding a choreography in your hands while standing inside its set.

🩰 Choreography as contrast — embracing the difference: the fixed rectangular frame of the dancer against the endless fluidity of the 360° world. Instead of hiding the seam, highlighting it.

🎶 Music as the bridge — sound unites the two worlds. My compositions can weave between the immersive environment and the 2D dance, so the audience feels continuity even when the visual space shifts.

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Lessons from Stage and Cinema

This isn’t entirely new. In theatre, directors have long experimented with staging that breaks the proscenium — actors appearing in aisles, or projections extending the set. In cinema, split screens and overlays play with perspective.

What 360 offers is the chance to take these ideas further, giving the audience agency to decide where to look, while the music and choreography guide their experience.

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Why Limitations Can Spark Creativity

If my dancers cannot yet exist in 360 space as volumetric figures, then the very tension between 2D and 360 becomes the art. Constraint is often the mother of invention.

Just as in ballet, where strict form produces beauty, or in music composition, where rules of harmony give structure, the limitations of 360 technology might lead to something original — a hybrid art form that wouldn’t exist otherwise.

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What’s Next?

In my next post, I’ll explore the question of accessibility: how people without VR headsets or multiple screens can still experience this work, and why keeping the door open to all audiences matters so deeply to me.

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👉 This is Part 2 of my experimental art journey in 360. Read Part 1 https://www.iservalan.com/2025/08/dancing-with-landscapes-my-first-steps.html and stay tuned for Part 3, where I’ll focus on accessibility and inclusivity in immersive art.

Part 3 https://www.iservalan.com/2025/08/making-360-art-accessible-for-all-and.html

Dancing with Landscapes: My First Steps into 360 Art (Part One)

Dancing with Landscapes: My First Steps into 360 Art

I’ve just taken my first classes with the Rambert Dance Company, exploring contemporary fusion, ballet, and even Bollywood movement. What surprised me most was how close this felt to my experience in music composition. Both disciplines start with structure, rhythm, and discipline — but it’s the moments of freedom, the unexpected improvisations, that create something alive.

Now I’m taking those ideas into a new experimental form: fusing dance, music, and immersive 360° landscapes.

Why 360?

Most people know 360 technology from gaming, VR headsets, or maybe museum tours. But at its heart, 360 isn’t about gadgets — it’s about perspective. Imagine standing inside a landscape rather than looking at it framed in a rectangle. You can turn your head and choose where to focus.

For me, this opens up new possibilities:

• My music can envelop the listener.

• My landscapes become immersive environments rather than backgrounds.

• My dance can be placed in dialogue with the space, sometimes framed in 2D, sometimes appearing inside the sphere.

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Dance and Music as Parallel Practices

When I practice cello or piano, I often begin with small, repetitive movements — scales, exercises, fragments. In dance, it is much the same: a plié, a turn, a shift of weight. These fragments grow into phrases, which grow into complete works.

Whether I’m composing music, learning a ballet sequence, or improvising in a 360 landscape, I’m engaging with the same process:

• Structure (form, discipline, rhythm)

• Expression (tone, gesture, dynamics)

• Exploration (what happens if…?)

It feels like one continuous practice, expressed through different mediums.

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Accessibility Matters

I don’t expect everyone to own a VR headset. That’s why my work will always have multiple entry points:

• On YouTube, you can explore 360 on your phone or computer by dragging the screen.

• The dance sequences will be presented in 2D as well, either as overlays or separate films.

• In future, I’m curious about two-screen experiences: imagine holding your phone for dance while being immersed in the 360 landscape on another device.

This way, the work remains open to all — a philosophy that feels important in a world where technology can sometimes exclude as much as it inspires.

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What’s Next?

This is just the beginning. In my next post, I’ll explore the challenge of combining 2D dance with 360° landscapes — and why limitations can actually spark creativity.

For now, I invite you to think of 360 not as a tech gimmick, but as a new stage, a new canvas, and a new kind of instrument. One where dance, music, and environment can finally move as one.

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👉 This is Part 1 of my experimental art journey in 360. Follow along for Part 2, where I’ll dive deeper into the fusion of 2D and immersive movement.

https://www.iservalan.com/2025/08/when-2d-dance-meets-360-landscapes-part.html

Part 3 https://www.iservalan.com/2025/08/making-360-art-accessible-for-all-and.html