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🎹 Mindful Music Meets Nature: The Power of Piano in Eco Films

Nature has its own rhythms — the rustle of leaves, the call of a bird, the ripple of water. When music is added thoughtfully, it doesn’t overwhelm these sounds but deepens our connection to them. Few instruments achieve this as gracefully as the piano. Its tones mirror the pulse of rivers, the rise and fall of wind, the spaciousness of open skies.

Pairing piano with nature films has become a growing practice in mindful media. Short, quiet clips with improvised music can transform a passing moment into something almost meditative.


🐞 Bug’s Eye View

Filmed in the East Sussex countryside, Bug’s Eye View is a weekly series of 60-second eco-aware shorts accompanied by improvised piano. From goats and chickens to damsel flies and froglets, each clip captures fleeting glimpses of rural life, designed as mindful “breathing spaces” for families and creatives worldwide.


🎼 The Science of Sound and Calm

Studies show that slow, improvised piano can lower stress levels and support focus. Combined with natural imagery, it creates a layered sensory experience that works almost like guided meditation. For children, it can spark curiosity about both music and the natural world.


🌍 Why Improvisation Matters

Unlike pre-written scores, improvised piano is reactive and alive. It mirrors the unpredictability of a frog leaping, a fly darting, or waves lapping against the shore. Each performance is unique, just as every moment in nature is unrepeatable.


🎧 Listen & Explore

“mindful music in eco films”


THE ART OF THE BOW ARM with Yizhak Schotten

Mr Capricious by Tale Teller Club featuring iServalan



Mr Capricious 


 I saw you in the light

A warm and velvet rush

You were poetry in flight

I don’t know where you came from

You lit the darkness bright

You were fire in the night

Somewhere in the future

I saw a memory in time

You were danger in plain sight

I’ll make a deal with you my friend

Heaven sublime until the very end

Chorus

They call you Mr Capricious 

But you’re delectable and 

Oh so delicious 

But you won’t hear crying in a wild wind

You won’t hear him lying in a wild wind

And we won’t hear you dying in the wild winds



©2024 Sarnia de la Maré


Mr Capricious: Sound, Storm, and Survival

The new track Mr Capricious from iServalan is a work that resists traditional boundaries. Conceived first at the piano as a raw improvisation, the piece flows like a storm—unpredictable, dangerous, and strangely beautiful.

The piano accompaniment, later transcribed from an unscored improvisation, reveals an artist who rejects rigid verse–chorus grids. Instead, the score drifts through arpeggiated figures, fluid harmonic shifts, and elastic pacing. The effect is one of emotional weather: the listener is pulled into surges, pauses, and sudden flashes, mirroring the unpredictable turbulence of domestic power and control that underpins the song’s narrative.

Vocals take on the structural role, guiding the listener through shifting imagery—light, velvet, fire, memory, storm. Against this, the piano accompaniment becomes an unstable landscape: sometimes tender, sometimes threatening, always restless.

Lyrically, Mr Capricious inhabits the ambiguous territory between love, danger, and survival. The titular figure is both seductive and destructive, framed by refrains of the “wild wind” — a metaphor for both elemental chaos and the silencing effect of abuse. The interplay between beauty and menace lies at the heart of the track, making it both a personal confession and a universal warning.

For iServalan, improvisation is not an accident but a manifesto. In their own words, “I reject traditional structure in favour of feelings, emotions, fluid sensory experiences.” This refusal of convention creates music that is at once experimental and deeply human, a reminder that art can capture truths which fixed forms cannot.

With its cinematic video montage in progress — stitched from AI-generated fragments of fire, fog, masks, and stormMr Capricious arrives not just as a song, but as an atmosphere: a warning whispered through velvet, a memory carried on the wild wind.


Why Musicians Are Angry at Streaming | iServalan Blog – Tale Teller Club

Why Musicians Are Mad as Hell at Streaming—and What They Can Do About It

Streaming platforms turned up the volume on music access—but turned down the volume on musicians getting paid. The costs? Real. The capitalists? Realer. It’s time to flip the script.

1. Streaming Isn’t Saving Us—It’s Leaving Us Broke

Big-name artists like Björk have spilt the truth: Spotify is “probably the worst thing that has happened to musicians,” she said—complaining about relentless touring, low pay, and the forced rush of putting out music to keep up the algorithm cycle (The New Yorker, DJ Mag).

Across the pond in the U.S., Taylor Swift and Snoop Dogg have similarly blasted Spotify for dimes-per-stream pay—Swift once pulled her catalog; Snoop estimates $45,000 for 1 billion streams (Houston Chronicle).

2. Algorithms Favor the Famous—and Bury the Underground

The fix ain’t fair. Playlists flood every screen with the same big names, leaving the new and underground grinding for scraps. The Guardian lays it out crisp: the top 1% of acts claim up to 90% of streams, while algorithms trap listeners in comfort zones—rarely letting them discover real, fresh voices (The Guardian).

Even more insidious? The rise of AI “ghost artists” and stock-music tracks filling playlists—drowning out real creatives with fake content that costs the platform less and pays no one else (Wikipedia).

3. This Isn’t Pop-Pessimism—It’s a Call for Radical Change

Let’s get this straight: streaming isn’t evil. But its business model as it stands? Unsustainable. Look to movements like the Broken Record campaign, founded by Tom Gray (Gomez), demanding UK lawmakers shift from pro-rata models to fairer, user‑centric systems—and return artists their dues (Wikipedia).

New voices like James Blake are leading too—withers like Good Boy Records and Notes.fm, ditching corporate behemoths like Live Nation and reclaiming transparency and agency (Financial Times).

4. How to Rise—Individually & Collectively

If the system’s broken, you can still play it smart, hard, and loud:

** A. Go independent, go direct**


  • Follow James Blake’s blueprint: work with small labels or self-release, use platforms that uphold transparency (like Notes.fm), and control your own ticketing and rights (Financial Times).

** B. Build community—not just a fanbase**

  • Tour the real venues—grassroots clubs, community halls, pop‑ups. Reconnect with fans offline, where your music matters and margins grow.

** C. Push for structural change**

  • Support policy shifts. Campaigns like Broken Record are real talk—demand a user-centric model, fair splits, and transparency. Collective voice is power (Wikipedia).

** D. Diversify your income streams**

  • Vinyl, merch, licensing, Patreon, Bandcamp, limited‑edition drops, live‑streamed secret shows—mix it up so you’re never fully dependent on streaming payouts.

** E. Collaborate and cross-pollinate**

  • Build with other artists. Lean on collectives. Share playlists, tours, merch co‑ops. Keep your scene alive and visible above the algorithm's noise layer.

5. Why There’s Still Hope

Streaming came as a revolution—but revolutions evolve. The Guardian reminds us: tech can’t kill human creativity—but systems must be nurtured. Reserve space for human culture, privacy, artistry, not just consumption (NME, The Guardian).

James Blake’s movement shows us something: when musicians take control of how their music reaches the world, pay gets fairer and artistry gets richer (Financial Times).


Mic Drop Moment

Musicians aren’t just streaming; they’re resisting. Björk raised the alarm. Blake rewrote the rules. Communities build the scene. Reform isn’t just a dream—it’s our riff to push forward.

Let’s keep spinning this: artists, unite. Take the streets. Own your story. Disrupt the stream.


🎶 Core Industry Hashtags

#Spotify #Streaming #MusicIndustry #FairPayForArtists #BrokenRecord

🌐 Artist & Community Hashtags

#IndieArtist #UndergroundMusic #SupportIndependentArtists #MusiciansUnite

🔥 Edgy & Culture Hashtags

#FightTheAlgorithm #DisruptTheStream #MadAtSpotify #NoMorePenniesPerStream

🎤 Personality & Brand Hashtags

#iServalan #TaleTellerClub #MusicRevolution






Rat Gang Girl Crew Poster Art for Tale Teller Club Books Classic Mug
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Rat Boy Racer Gang Crew by iServalan for Tale Teller Club Classic Mug
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Rat Gang Crew Books Graf Artist in His Castle by iServalan in Greyscale Classic Mug
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Rat Girl Racer from Rat Gang Crew and the Broken City by iServalan Classic Mug
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There’s a Mouse in the House Rat Gang Crew Illustration by iServalan Classic Mug
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Rat Gang Crew Logo Design by iServalan White on Black Classic Mug
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Rat Gang Crew Logo Design by iServalan Black on White Tall Mug
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Rat Gang Crew Elder by iServalan Illustration Art by Tale Teller Club Orchestrations Tall Mug
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iServalan Designing and Making Shorts on YouTube

Some of my shorts from last Christmas as part of my book for Elderescence
featuring my handmade kaftans and robes which were so beautiful.


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New Lyrics Library features poetry, songs, and spoken word by Sarnia de la Maré For Tale Teller Club #lyricslibrary

 

📜 Lyrics: Minor Matter – Tale Teller Club

A transmission from the Immersion Archives.
Words written against the Machine, set to sound and vision.

I'm just minor matter
That is what I am
Someone's passive income
Getting what they can

I'm climbing sand dunes daily
Slippery ice under my feet
The Machine watches on
And feeds off my defeat

We are minor matter
The seeds we sow and scatter
Grow weeds upon
The streets of liberty

The machine has taken you
And now it's come for you
The machine don't care
It's love's despair
It loves despair

It's stealing time like
You wouldn't know
An atomic bomb that's gonna blow
The hearts of children
In the poppy fields
The machine grew up
And stole their dreams














SHOP

Press Kit

Press kit for iServalan and her work with Tale Teller Club Publishing, with a focus on her homotech music, The Book of Immersion, and multimedia innovation. It’s formatted for printing or PDF use, and you can add links/logos/QR codes as needed. Please feel free to copy and share.


🎼 iServalan – Homotech Music Artist

A sonic visionary blending AI and human creativity
📍 Tale Teller Club Publishing | www.taletellerclub.com | @iservalan


🔊 Artist Profile

iServalan is a composer, multi-instrumentalist, and sound artist working at the bleeding edge of human-machine collaboration. As a founding Homotech of Tale Teller Club Publishing, her work fuses traditional instrumentation with AI-assisted sound design, creating haunting, futuristic scores for film, immersive literature, and experimental performance.

She coined the term “homoteching” to describe her hybrid process: a blend of analog recording, glitch art, algorithmic composition, and emotional storytelling. With each track, iServalan explores how machines can enhance—not replace—the artist’s voice.


🎬 Featured Project

The Book of Immersion

A multimedia sci-fi epic blending audio books, experimental animation, and AI-fused music scores. iServalan composes each Strata soundtrack with a unique emotional and philosophical tone, guiding listeners through themes of identity, loss, evolution, and machine consciousness.

Notable Chapters:

  • Strata 1: Arrival – glitch drones & digital rain

  • Strata 5: The Drift – cello loops & AI choir ghosts

  • Strata 20: The Perimeter – industrial ambience meets elegiac synth


🎵 Discography & Releases

  • Immersion Vol. 1 – Strata Scores (Tale Teller Club, 2025)

  • The Homotech EPs – AI-assisted sound experiments

  • MoMo's Memory Loops – generative sonic artefacts

  • Beats Ministry Sessions – club meets code

All available on:

🔗 YouTube.com/@TaleTellerClub

🔗 www.taletellerclub.com

🔗 www.iservalan.com


🎙️ Live & Online

  • Virtual performances and listening parties

  • Collaborations with visual artists, animators, and AI developers

  • Podcast and blog features on sonic futurism, tech philosophy, and the creative process


📡 Contact & Press Enquiries

📧 taletellerclub@gmail.com
📍 London-based, available globally for interviews, festivals, and audio commissions.

"I don’t just use AI—I duet with it. Homotech music is the sound of collaboration with the unknown." — iServalan