Detaché and Martelé, what is the difference? #iservalanmusic



While both détaché and martelé bowing techniques involve separate bow strokes for each note, détaché is characterized by a smooth, slightly separated sound with no emphasis or accent, while martelé features a strong, percussive accent on the beginning of each note.


Here's a more detailed breakdown:
Détaché:
Means "detached" in French, but in bowing, it refers to a smooth, separate sound, not a disconnected one.

Each note is played with a separate bow stroke, but the notes are not disconnected; the bowing should be smooth and even.

There are no accents or emphases on any notes.

Often described as "broad but separate".

If no slurs or accents are present in the score, that often indicates détaché technique.

Martelé:
Means "hammered" in French, and refers to a technique where each note is played with a separate bow stroke, but with a strong accent at the beginning of each note, creating a percussive sound.

The strokes are long with a strong accent at the beginning.

The bow is stopped after each note just long enough to prepare the next articulation.

Often marked in music with a line or an accent over the note, but not always.

Can be thought of as a more aggressive form of staccato.

Press Kit

Press kit for iServalan and her work with Tale Teller Club Publishing, with a focus on her homotech music, The Book of Immersion, and multimedia innovation. It’s formatted for printing or PDF use, and you can add links/logos/QR codes as needed. Please feel free to copy and share.


🎼 iServalan – Homotech Music Artist

A sonic visionary blending AI and human creativity
📍 Tale Teller Club Publishing | www.taletellerclub.com | @iservalan


🔊 Artist Profile

iServalan is a composer, multi-instrumentalist, and sound artist working at the bleeding edge of human-machine collaboration. As a founding Homotech of Tale Teller Club Publishing, her work fuses traditional instrumentation with AI-assisted sound design, creating haunting, futuristic scores for film, immersive literature, and experimental performance.

She coined the term “homoteching” to describe her hybrid process: a blend of analog recording, glitch art, algorithmic composition, and emotional storytelling. With each track, iServalan explores how machines can enhance—not replace—the artist’s voice.


🎬 Featured Project

The Book of Immersion

A multimedia sci-fi epic blending audio books, experimental animation, and AI-fused music scores. iServalan composes each Strata soundtrack with a unique emotional and philosophical tone, guiding listeners through themes of identity, loss, evolution, and machine consciousness.

Notable Chapters:

  • Strata 1: Arrival – glitch drones & digital rain

  • Strata 5: The Drift – cello loops & AI choir ghosts

  • Strata 20: The Perimeter – industrial ambience meets elegiac synth


🎵 Discography & Releases

  • Immersion Vol. 1 – Strata Scores (Tale Teller Club, 2025)

  • The Homotech EPs – AI-assisted sound experiments

  • MoMo's Memory Loops – generative sonic artefacts

  • Beats Ministry Sessions – club meets code

All available on:

🔗 YouTube.com/@TaleTellerClub

🔗 www.taletellerclub.com

🔗 www.iservalan.com


🎙️ Live & Online

  • Virtual performances and listening parties

  • Collaborations with visual artists, animators, and AI developers

  • Podcast and blog features on sonic futurism, tech philosophy, and the creative process


📡 Contact & Press Enquiries

📧 taletellerclub@gmail.com
📍 London-based, available globally for interviews, festivals, and audio commissions.

"I don’t just use AI—I duet with it. Homotech music is the sound of collaboration with the unknown." — iServalan