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Why Musicians Are Angry at Streaming | iServalan Blog – Tale Teller Club

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Why Musicians Are Mad as Hell at Streaming—and What They Can Do About It Streaming platforms turned up the volume on music access—but turned down the volume on musicians getting paid. The costs? Real. The capitalists? Realer. It’s time to flip the script. 1. Streaming Isn’t Saving Us—It’s Leaving Us Broke Big-name artists like BjΓΆrk have spilt the truth: Spotify is “probably the worst thing that has happened to musicians,” she said—complaining about relentless touring, low pay, and the forced rush of putting out music to keep up the algorithm cycle ( The New Yorker , DJ Mag ). Across the pond in the U.S., Taylor Swift and Snoop Dogg have similarly blasted Spotify for dimes-per-stream pay—Swift once pulled her catalog; Snoop estimates $45,000 for 1 billion streams ( Houston Chronicle ). 2. Algorithms Favor the Famous—and Bury the Underground The fix ain’t fair. Playlists flood every screen with the same big names, leaving the new and underground grinding for scraps. The Guard...

Press Kit

Press kit for iServalan and her work with Tale Teller Club Publishing, with a focus on her homotech music, The Book of Immersion, and multimedia innovation. It’s formatted for printing or PDF use, and you can add links/logos/QR codes as needed. Please feel free to copy and share.


🎼 iServalan – Homotech Music Artist

A sonic visionary blending AI and human creativity
πŸ“ Tale Teller Club Publishing | www.taletellerclub.com | @iservalan


πŸ”Š Artist Profile

iServalan is a composer, multi-instrumentalist, and sound artist working at the bleeding edge of human-machine collaboration. As a founding Homotech of Tale Teller Club Publishing, her work fuses traditional instrumentation with AI-assisted sound design, creating haunting, futuristic scores for film, immersive literature, and experimental performance.

She coined the term “homoteching” to describe her hybrid process: a blend of analog recording, glitch art, algorithmic composition, and emotional storytelling. With each track, iServalan explores how machines can enhance—not replace—the artist’s voice.


🎬 Featured Project

The Book of Immersion

A multimedia sci-fi epic blending audio books, experimental animation, and AI-fused music scores. iServalan composes each Strata soundtrack with a unique emotional and philosophical tone, guiding listeners through themes of identity, loss, evolution, and machine consciousness.

Notable Chapters:

  • Strata 1: Arrival – glitch drones & digital rain

  • Strata 5: The Drift – cello loops & AI choir ghosts

  • Strata 20: The Perimeter – industrial ambience meets elegiac synth


🎡 Discography & Releases

  • Immersion Vol. 1 – Strata Scores (Tale Teller Club, 2025)

  • The Homotech EPs – AI-assisted sound experiments

  • MoMo's Memory Loops – generative sonic artefacts

  • Beats Ministry Sessions – club meets code

All available on:

πŸ”— YouTube.com/@TaleTellerClub

πŸ”— www.taletellerclub.com

πŸ”— www.iservalan.com


πŸŽ™️ Live & Online

  • Virtual performances and listening parties

  • Collaborations with visual artists, animators, and AI developers

  • Podcast and blog features on sonic futurism, tech philosophy, and the creative process


πŸ“‘ Contact & Press Enquiries

πŸ“§ taletellerclub@gmail.com
πŸ“ London-based, available globally for interviews, festivals, and audio commissions.

"I don’t just use AI—I duet with it. Homotech music is the sound of collaboration with the unknown." — iServalan