Published in: Sonic Architecture Journal (2025)
Sound design, when approached by iServalan, is not decoration — it’s sculpture. Each frequency is handled as material: carved, balanced, and refined until it stands with architectural clarity. Her studio process resembles a laboratory of resonance, where instruments and machines share the same reverence.
“You can’t fake equilibrium,” she says. “A composition isn’t finished until every sound can breathe.”
Her discipline is almost monastic. Hours of micro-listening, balancing overtone against overtone, human imperfection against algorithmic symmetry. The result is immersive music that feels alive, but engineered — something both organic and designed.
This philosophy has made iServalan a quiet icon in the intersection of classical and digital composition. She reminds us that sound design isn’t about volume or spectacle; it’s about precision, emotion, and the courage to stop before the noise begins.
(© Sonic Architecture Journal)
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