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Coruss Synthetic Bow Hair (full version) - Sarah Markle, cello

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Why Musical Instrument Strings Wear Out — and How to Make Them Last Longer

  Why Strings Wear Out — and How to Make Them Last Longer Every string player reaches the same quiet moment: the instrument is still in tune, technique feels fine — but the sound has lost its sparkle. The string hasn’t broken. It’s simply worn out. Strings don’t fail suddenly. They deteriorate slowly, for very practical reasons. 1. Constant Tension and Metal Fatigue All string instruments rely on metal strings held under continuous high tension . From the moment a string is fitted, it begins ageing. Over time: The metal core stretches microscopically Elasticity decreases The string vibrates less freely This is normal wear, not a fault — even in the most expensive strings. 2. Vibration and Playing Wear Every note flexes the string thousands of times. This repeated movement causes metal fatigue , especially in the core. As this builds up: Overtones disappear first The sound becomes dull or flat Response feels slower and less reliable A string can look fine...

The Continuum Music Framework™ Manifesto A Pedagogical Framework for Musical Learning by Sarnia de la Maré FRSA

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The Continuum Framework™ — A Manifesto The Continuum Framework™ is a non-linear approach to musical learning that understands sound not as a series of achievements to be climbed, but as a field to be entered, explored, and returned to across a lifetime. Rather than separating technique, theory, improvisation, composition, and listening into hierarchical stages, the Continuum recognises them as interdependent behaviours that emerge at different intensities depending on context, nervous system, age, and intention. Musical development is not a ladder of progress, but a living relationship with sound. At its core, the Continuum privileges resonance over correctness, agency over compliance, and time over urgency. It rejects the idea of “beginner” and “advanced” music as fixed categories, acknowledging instead that the same material can serve radically different depths of experience. An open string, a single gesture, or a sustained field of sound can hold as much musical truth for a pro...

The Continuum Music Framework by Sarnia de la Maré FRSA, Foundation Books in the Series

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Reading Density: A New Kind of Score | iServalan | Continuum Approach

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 Buy the eBook here  https://gum.new/gum/cmk471y2q001h04l2cgqt56ju   Reading Density: A New Kind of Score This image is not a score in the traditional sense. There are no clefs, no staves, no fixed pitches insisting on obedience. Instead, what we are looking at is density made visible — energy, concentration, release, accumulation, dispersal. A density score does not tell the musician what note to play . It asks a different question altogether: How much is happening — and where? In this score, sound is imagined as mass. Some areas are thick, almost granular, pressing against the space. Others are sparse, breath-like, suspended. Density replaces pitch as the primary organising principle. Time is still present, but it is elastic. Gesture matters more than correctness. Attention matters more than accuracy. For the performer, this creates an immediate shift in mindset. Instead of decoding symbols, the musician listens inwardly. They decide how to translate density into...